The Kirpilä Art Collection website is now more visually engaging and accessible. Warmly welcome to explore our spring and summer events, such as the Kuvan Kevät performance day, the FloweRescue flower bouquet workshop, and our guided tours with seasonal themes. You’ll also find the latest updates, including an introduction to our upcoming museum director, MA Heta Kaisto.

We’ve also added brand new content! Kirpilä Studio is a curated online gallery featuring a rotating selection of artists. The first contributor is photographer Sandra Kantanen, who has created a photo triptych inspired by the art collection and the museum surroundings.

The Behind the Scenes series offers a glimpse into the everyday life of the museum – for example, the work of an art conservator.

The website was developed by Redandblue, and the visual identity was designed by N2 Albiino.

We hope you enjoy our new website and easily find all the information you need for your visit.
We’d love to hear your feedback – feel free to send us a message at taidekoti(at)skr.fi.

Sandra Kantanen, Ikkuna 2: Kastanjankukat, 2025
Kirpilä Studio

Heta Kaisto, MA, will start as Senior Advisor to the Finnish Cultural Foundation and as Museum Director of the Kirpilä Art Collection on the 1st of June 2025.

Until starting at the Finnish Cultural Foundation, Kaisto will continue in her current position as Curator of the Rauma Art Museum, where she has served since 2019. Kaisto has previously worked, among others, at the City of Lapua’s museums and the Finnish National Gallery. She has also been involved in various multi-arts research projects and is an active writer and lecturer.

“In addition to her vision and experience, Heta Kaisto has an extensive network of artists and excellent connections within the Finnish museum scene and the art sector. Our aim is to promote the role of art in society and for that we need the best experts available,” says Susanna Pettersson, CEO of the Finnish Cultural Foundation.

“For me, the Kirpilä Art Collection represents humanism and a warm way of encountering and working with the public. I very much appreciate this opportunity to develop my skills and knowledge as an art and museum expert, together with the Kirpilä team and the entire network of the Finnish Cultural Foundation. I believe that museums play an increasingly important role in strengthening Finnish culture in our time. I also see art in a very practical way as a part of society and the network of various organisations,” says Kaisto.

Photo by Heidi Piiroinen

A self-portrait by the Danish artist Peder Severin Krøyer (1851–1909) has been discovered within the Kirpilä Art Collection. Dated 1899, the work was previously attributed to Krøyer’s Finnish contemporary, Sigfrid August Keinänen (1841–1914).

The small (20.5 cm x 17 cm) self-portrait was made using the drypoint engraving technique on paper, and has been on display in the Kirpilä Art Collection’s Portrait Room for the last few years. It is signed “SK Jan-99” at bottom right. Our archives show that the art collector Juhani Kirpilä (1931–1988) purchased the work, believed at the time to be a self-portrait by Sigfrid Keinänen, in 1983, as part of an extensive portrait collection sold by the Hyvinkää-based collector Urho Laiho (1909–1991). It was also displayed in the exhibition Omakuva (“Self-Portrait) at Galerie Finnforum in Helsinki between 17 November and 2 December 1979. The basis for the original attribution is unknown.

Confirming the actual author of the work was ultimately very easy, by comparing the artists’ signatures. Keinänen used to signed his works “SAK” or “S. A. Keinänen”, whereas Krøyer’s “SK” signature and handwriting match the ones on our portrait. The reattribution was finally confirmed by curator Mette Harbo Lehmann of Skagens Museum in Skagen, Denmark.

Skagens Museum is home to a significant collection of artworks by Krøyer, including three prints of the etching found at Kirpilä. One of the prints is signed “P S Krøyer” in pencil, in addition to the engraved “SK” signature.

Peder Severin Krøyer was born on 23 July 1851 in Stavanger, Norway, from where he soon moved to Copenhagen, Denmark, with his foster parents. He took up art studies privately at the age of nine. In 1870, Krøyer graduated from the Royal Danish Academy of Fine Arts, and he enjoyed the patronage of the German-born Danish tobacco magnate and art collector Heinrich Hirschsprung from 1874. Krøyer travelled around France, Spain and Italy between 1877 and 1881, thanks to a scholarship from the art academy and financial support from Hirschsprung. Studying in Paris under the French artist Léon Bonnat had a pivotal impact on his style. On his return to Denmark, Krøyer settled in the country’s northernmost part, Skagen, whose artistic community would be an important source of support for him in the following years. Krøyer is known in Denmark and internationally for his depictions of ordinary people, as well as for his blue-toned Skagen landscapes that often incorporate members of the local artistic community, including his wife, the artist Marie Krøyer (née Triepcke). Krøyer died in Skagen on 21 November 1909, at the age of 58.

Juhani Kirpilä is said to have avoided buying foreign art because it was harder to confirm its authenticity and origins; in this case, what he had bought as a Finnish artwork has been revealed to have been authored by a foreign master. This increases the number of non-Finnish artists included in the collection from four to five, and adds the first Danish work to the collection.

We are very grateful to Arto Isotalo for first bringing the misattribution to our attention.

Image: Peder Severin Krøyer, Self-Portrait, 1899 / Kirpilä Art Collection